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£70.00
This is the first full-length critical study of Parade?s End to focus on the psychological effects of the war.
Introduction (Ashley Chantler and Rob Hawkes); 1. 'Sex ferocity' and 'the sadic lusts of certain novelists': Sexuality, Sadomasochism, and Suppression in Parade's End (Max Saunders); 2. Freud Madox Ford: Impressionism, Psychoanalytic Trauma Theory, and Ford's Wartime Writing(Karolyn Steffens); 3. Empathy, Trauma, and the Space of War in Parade's End (Eve Sorum); 4. Fellow Feeling in Ford's Last Post: Modernist Empathy and the Eighteenth-Century Man (Meghan Marie Hammond); 5. The Self-Analysis of Christopher Tietjens (Barbara Farnworth); 6. Composing the War and the Mind; Composing Parade's End (Alexandra Becquet); 7. The Work of Sleep: Insomnia and Discipline in Ford and Sassoon (Sarah Kingston); 8. Representing Shell Shock: A Return to Ford and Rebecca West (Charlotte Jones); 9. 'I hate soldiering': Ford, May Sinclair, and War Heroism (Leslie de Bont); 10. Peace of Mind in Parade's End (Gene M. Moore); Bibliography; Notes on Contributors
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